Thursday, December 29, 2016

This country has only 10 psychiatrists. That's where 'professional grandmothers' come in.

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Getting mental health care in America can be difficult. In Zimbabwe, it's near impossible.

The country is home to 15 million people and only about 10 psychiatrists. For comparison, the United States has at least 24,000 psychiatrists. But depression and anxiety are not just a first world problem.

"Common mental disorders impose a huge burden on all countries of sub-Saharan Africa," said health researcher Dr. Dixon Chibanda in a press release.

Zimbabwe has a secret weapon though: the Friendship Bench.

Image from The Friendship Bench Project, used with permission.

Developed from over 20 years of community research, The Friendship Bench Project is a different and smart way to tackle mental health care.

You can find one of the inviting benches outside some of Zimbabwe's many health clinics. Sitting down, you might get a visit from an older woman. These women are known as golden ladies or grandmothers. You can talk to them. They listen. Then, they might help you identify problems in your life or give you advice to help you feel positive and in control.

Its might seem simple, but these grandmothers are health workers — and very effective.

Photo from Grand Challenges Canada/Flickr, used with permission.

They're not just dispensing random advice. The grandmothers are health care workers who've have been trained in what's called problem-solving therapy. And it turns out it could be a pretty effective strategy.

A recent study published in the Journal of the American Medical Association compared the grandmothers against the usual care options, including a nurse assessment or optional medications. The study found that after six visits to the Friendship Bench, visitors were three times less likely to have the symptoms of depression six months later (50% versus 14%). The results were even more striking for anxiety or suicidal thoughts.

There were, of course, a few limitations to the study. Not a lot of men signed up, for example. And there's some more nuance, like exactly how the comparison was done. If you're interested, the full text is here. But the bottom line is that it seems to have worked.

Better mental health care is important for everyone, but low- and middle-income countries may need it especially badly.

"In many parts of Africa, if you are poor and mentally ill, your chances of getting adequate treatment are close to zero," said Karlee Silver in a press release about the Friendship Bench Project. Worse still, in many places in Africa, there's still a stigma — sometimes very serious stigma — around mental disorders and mental health care.

And all this adds up. In addition to adding to human suffering, the cost of treating mental health problems and lost productivity are estimated to cost low- and middle-income countries $870 billion a year. The number may grow to more than $2 trillion by 2030.

That's why it's so heartening to see clever programs like The Friendship Bench Project at work.

Photo from Grand Challenges Canada / ZAPP.

So far, over 27,500 people have used The Friendship Bench Project.  

The program's been working with a number of other organizations too, such as the Zimbabwe Ministry and Health and Grand Challenges Canada. They are currently located in a few of Zimbabwe's cities, including Harare, the capital, but are planning to expand to even more clinics.

They also plan to reach out to more vulnerable populations, such as youth or refugees, in the future.

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The women working with The Friendship Bench Project are trained, supervised, and employed by health clinics, but they aren't doctors or medical professionals. While they are not a replacement for physicians, like psychiatrists and clinical psychologists, they do provide access and opportunity for care where otherwise there might be none.



7 unreal photos of America's 2 newest national monuments.

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On his way out the door, President Barack Obama is leaving America with two brand-spanking-new national monuments.

Gold Butte, Nevada. Photo by Ron Mader/Flickr.

The areas surrounding Nevada's Gold Butte and Utah's Bears Ears Buttes, which include hundreds of thousands of acres of canyons, fragile rock formations, and ancient Native American structures, are now protected by executive order.

The designations were controversial — many local politicians opposed the measure, describing the designations as federal overreach, while others, including Native American tribes, were thrilled.

"We have always looked to Bears Ears as a place of refuge, as a place where we can gather herbs and plants and as a place of sacredness," Navajo Nation President Russell Begaye told The New York Times.

Part of what sets the new monuments apart are hundreds of Native American petroglyphs — pictorial art and writing from centuries before the European colonization of the Americas — carved on rocks and written inside ancient structures within.

The newly christened Gold Butte National Monument is full of petroglyphs like this one.

Some of the pictograms were defaced with graffiti and bullet holes during rancher Cliven Bundy's standoff with federal authorities in 2014. The new designation will give additional protection for the ancient art and writing.

Newspaper Rock, which lies within Bears Ears National Monument, includes hundreds of petroglyphs like the one below — carved by Puebloan people over hundreds of years, beginning as early as two millennia years ago.

Modern Native American scholars believe the etchings include family symbols, territory markers, and religious iconography.

Photo by Rick Bowmer/AP.

The Moon House, also in Bears Ears and so named for the full and crescent moons on the interior walls of the structure, was likely built in the 13th century.

The structure contains numerous examples of Native American pictography inside, where archeologists believe as many as 30 people lived. The house is incredibly fragile, and only a few daily permits to see the building are currently issued.

Photo by Rick Bowmer/AP.

The house is located in McCloyd Canyon, a steep hike that gives way to this stunning view of the house under layers of rock.

Photo by Rick Bowmer/AP.

Mule Canyon, Utah, contains these Anasazi dwellings and granaries, known collectively as the "House on Fire."

Photo by Rick Bowmer/AP

Of course, the national monuments are also full of just-generally spectacular rock formations untouched by ancient construction, art, or writing — like this one in Gold Butte.

Jeff Sheild/Las Vegas Review-Journal via AP.

Some local residents remain, understandably, concerned that monument designations will close down possibilities for recreation and development in the areas. But the importance of preserving these American Indian treasures, and the land they occupy, is impossible to overstate.

Ensuring that art, writing, and buildings are around for future generations is critical to building a United States of America that owns the full breadth of its history.

Thanks to our Native American forebears, these lands contain a key component of that story. And thanks to Obama, they now belong to all of us, together.

Unfortunately, photos can only show so much.

So ... who's up for a hike?

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Who can you trust? A black artist shows how hard it is to answer that post-election.

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For some people, nothing really changed in the weeks after Election Day. But for others, everything changed.

Just ask Cory Thomas, an illustrator and graphic designer based in Atlanta, Georgia. After Trump's election, Thomas couldn't shake the swelling trepidation that crept around the edges of his life. As a black man who spent a lot of time in spaces that were predominantly white, even in a majority-black city, he was worried.

"In 2017, we’ll have people in power whose social agendas (consciously or not) either reject or ignore the concerns of minority populations," Thomas says. "Do I think it’ll literally make me go insane and fear every white person I meet? Well, no. But the heightened protectiveness that it'll require is probably unhealthy."

Thomas turned to pen and ink with his feelings, just as he had so many times before. He wanted to articulate the strange, unsettled feeling that now consumed his daily life.

Taking a brief hiatus from his ongoing webcomic, "Watch Your Head," Thomas published this new comic on Fusion to express his apprehension. "It's not necessarily new, but it's a conversation that many people of color feel is frustratingly unheard," he says.

Check it out below:

Image by Cory Thomas, used with permission.

Image by Cory Thomas, used with permission.

The comic was an immediate hit, bringing in an overwhelmingly positive response from millions of people.

"That shows how eager people are to have the conversation," Thomas says. He wasn't trying to speak directly to white Americans or for black Americans; he was just trying to articulate what he'd been feeling, to communicate and connect with other people.

But the honesty and humanity of that experience resonated more than he expected with a wide range of people of all different skin tones. People of color thanked him for capturing what they themselves had been struggling with since the election; others found a new understanding of their responsibilities as neighbors and allies instead of being passive bystanders with good intentions.

The comic's ambiguous ending is powerful because it shows that the problem still persists. Now, it's up to us to do something about it.

"Listen, acknowledge the disadvantages that exist, and support the dismantling of racist systems in whatever way they can," Thomas says.

"The work to reset the pendulum doesn't start four years from now. By then it's too late," Thomas adds. "Figure out your role in restoring balance and get active. Even if your only calling is to go into a booth and vote, do that. Do something."

If you were waiting for a call to action? Now you have it. Let's get to work.

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Before he leaves office, Obama is helping cold case murder victims get justice.

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14-year-old Emmett Till was kidnapped, beaten, and brutally murdered by two white men after whistling at a white woman during a trip to Mississippi in 1955.

The men tried for his murder were acquitted by an all-white jury, but later confessed their crimes to a reporter but the case couldn't be re-tried.

While Till's brutal murder shocked the country, racially charged murders were all too common then. Between 1877 and 1950, there were almost 4,000 cases of lynching of African-Americans, and that's just in the Southern states. Like Till, many were beaten, shot, or tortured to death well past the mid-century. Many of the perpetrators were untried or acquitted by all-white local juries.

But with the help of new legislation, some of these families may finally see justice served.

In one of his last moves in office, President Obama signed a bill that may finally help these murder victims and their families get justice.

Hundreds of racially-motivated cold case murders may be investigated with fresh eyes thanks to the Emmett Till Unsolved Civil Rights Crimes Reauthorization Act of 2016.

The new bill indefinitely extends a 2007 law that calls for a full review and accounting of civil rights statute violations that took place before 1980 and resulted in a death. The 2007 law was set to expire in 2017.

President Barack Obama speaks during a conversation on community policing and criminal justice in Washington, D.C. Photo by Alex Wong/Getty Images.

The law gives local police and district attorneys access to federal resources to investigate crimes that occurred before 1980, a 10-year extension on the 2007 law. Since many of these cases were picked up by civil rights groups, nonprofit groups, and universities after local jurisdictions marked them cold, the bill requires the FBI and/or the Justice Department to meet regularly with these entities to share information and keep investigators and the victim's families on the same page.

Since 2005, the FBI has investigated more than 100 cold cases, and this reauthorization will finally give jurisdictions the resources they need to successfully investigate these crimes.

In a powerful example of bipartisanship, the bill was also sponsored by legislators on both sides of the aisle.

Iconic civil rights activist John Lewis, D-Georgia, Jim Sensenbrenner, R-Wisconsin, and John Conyers Jr., D-Michigan, ushered the bill through the House. And Richard Burr, a North Carolina Republican, and Claire McCaskill, a Missouri Democrat, sponsored the bill in the Senate.

“As we work to address current questions about racial violence and civil rights, we should be mindful of our history and why so many in the African-American community raise the issue of whether black lives matter,” Rep. John Conyers Jr. said to USA Today. “Passage of the original Emmett Till Act represented a commitment to resolving the unanswered questions from one of the darkest periods in modern American history.”

Rep. John Lewis (L) and Rep. John Conyers (R) greet each other during the Congressional Black Caucus swearing-in ceremony at the U.S. Capitol. Photo by Gabriella Demczuk/Getty Images.

The reauthorization of the Emmett Till Bill is a small, but important, step toward racial equality.

It's clear race-based violence, harassment, and intimidation didn't end with the civil rights movement. Protests, demonstrations, and marches continue as black Americans and their allies join together to fight for justice at every level.

To move forward, we must remember victims like Emmett Till and honor their memories by demanding equality and bringing their killers to justice once and for all.

Photo by Scott Olson/Getty Images.

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He asked how to confront his racial bias. She responded with a powerful gesture.

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Garry Civitello called into C-SPAN with his heart and insecurities on his sleeve.

Civitello, a white man from Asheville, North Carolina, wanted to speak with Heather McGhee, a black woman and president of Demos, a public policy group working to promote democracy for all. But his question wasn't specifically about public policy. It was about what he could do to be a better person.

"I'm a white male, and I'm prejudiced. What can I do to change, you know, to be a better American?"

McGhee was initially caught off guard by the question but took an opportunity to respond from the heart:

"I told him thank you, and I just came up with some thoughts about how he could integrate his life and learn to have more empathy and compassion."

For Civitello and others looking to make a change, McGhee offered a few places to start. From getting to know black families to asking tough questions of himself and others.

All images via Upworthy/YouTube.

Before long, video of their brief exchange was viewed more than 8 million times.

McGhee saw a unique opportunity to build on their conversation.

She traveled to North Carolina to meet with Civitello, and the two had a positive discussion, asking each other questions and learning about their backgrounds and experiences. For both, the opportunity to grow and learn from each other was a powerful thing.

"When you get to know people, usually your fears were unjustified," Civitello said.

Regardless of our backgrounds, all of us have biases to confront.

But when we confront those insecurities head on, we can grow and change for the better. It starts with moving outside our own comfort zones and challenging norms.

"It's time for us to have a conversation with white folks and for white folks to have a conversation with each other about how it doesn't have to be a zero-sum game," McGhee said.

As Civitello and McGhee revealed, the conversations are tough but necessary.

"It's just something that we don't practice, and taking that first step is the hardest thing," Civitello tells Upworthy.

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Batman, Archie, and Harry Potter are appearing in a comic together for the best reasons.

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Comic book author Marc Andreyko was just going to bed late Saturday, June 11, 2016, when he heard there had been a shooting at a nightclub in Orlando.

When he woke up the next morning, he was crushed by the news. 49 people were dead, and dozens more had been injured in an attack on Florida's LGBTQ community.

A candlelight vigil in Orlando, Florida. Photo by Brendan Smialowski/AFP/Getty Images.

"I was horrified and sickened," says Andreyko over email. "As a gay man who was a teen during the AIDS crisis, I have seen far too much death and hatred and ambivalence toward it. Orlando hit me hard and I was flooded with the feelings of powerlessness I felt back then."

An accomplished comic book writer and seasoned storyteller, Andreyko knew that with his great power came the great responsibility to channel his feelings into something productive. Within eight hours, he announced on Facebook that he would be embarking on a new project in remembrance of the victims.

Together with dozens of artists, he put together a massive comic anthology about a single subject: love.

The book, appropriately titled "Love Is Love," is a massive collaboration between comic book writers, artists, and familiar faces, from Patton Oswalt to J.K. Rowling to comic book legends like artist Jim Lee.

Each contributed a single page of artwork, story, or dedication to the 144-page tome, and all sale proceeds will go to Equality Florida, an organization that supports the LGBTQ community in Florida.

The project even brought together competing publishers so that characters like Superman, Harry Potter, and the cast of Archie could appear in the book together despite exclusive contracts — all in the name of charity and goodwill.

"I think art can always make a difference," Andreyko says.

He knows that artists and storytellers have an important part to play in fostering conversations and a unique ability to reach people.

Comic books in particular have played a key role in media representation. Dozens of famous and recognizable characters have had LGBTQ storylines in recent years, including Batwoman, who's been openly gay since 2006 and whom Andreyko wrote for in 2013.

DC Comics also featured the first ever lesbian engagement in a comic when Batwoman proposed to her partner Maggie Sawyer. Image via DC Entertainment/YouTube.

"[Art] can make the tough and political more human and emotionally connected, and with the metaphors of genre, it can make people see things in a new way," Andreyko says.

Compiling the anthology was a long and arduous process, but Andreyko says that seeing the artwork every day kept him motivated.

"When things got emotionally tough or frustrating, all the art, the hard work, the expressions of love from so many busy, talented and generous folks, well, that was all I needed to keep moving forward," Andreyko says.

To purchase the "Love Is Love" anthology, check out IDW Publishing's website, and for more information on Equality Florida, visit their website.

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15 celebrities wanted you to see how they are when the camera's off. So they took photos.

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Andrew H. Walker has photographed a lot of celebrities in his life. But at the 2016 Toronto Film Festival, he decided to try something ... different.

"[Actors] have, not only this personal inside voice, but they have a public persona that they put out there, and they also have their private self," said Walker, a staff photographer at Shutterstock, in an interview with Mashable. "There's this whole other layer of themselves as people. I found that really, really intriguing."

Walker placed a piece of tape on a table and told an impressive list of "A-list" celebrities to pose on either side of it as their "public" and their "private" selves. The only rule was that they couldn't cross the tape line, so he could composite the photos later. As for which side of the tape they "performed" their "selves" on? That was entirely up to them.

Celebrities can be (understandably) protective of their image. But Walker was surprised to find that 51 A-listers were willing and eager to go along with his plan.

The 15 photos that follow are just a few of the highlights that show a surprising difference between their public and private personas — although which one is which, we can't say for certain.

1. Sigourney Weaver was literally born into the entertainment industry.

But just because she's good at being in front of the camera, doesn't mean that's where she always wants to be.

All photos by Andrew H. Walker/ShutterStock. Used with permission.

2. Then there's John Legend, who's clearly worked hard to write and produce so many signature grooves.

Legend's somber expression is a powerful reminder that funky rhythms aren't all fun and games when you're cooped up in the studio for days on end.

3. As for Jeffrey Tambor — well, he's got a bit of a Clark Kent vibe goin' on.

I'm not sure which one is the public and which one is the private face. Because other than the glasses, there's not that much of a difference. Which might also be the point.

4. Parker Posey is in a similar, albeit quirkier, boat.

Which one is the real Parker Posey?! I can't tell because they're both just so eccentrically cool, and so ... her.

5. Meanwhile, Oscar Isaac needs a coffee.

He's a busy guy, and those 14-hour days on set can sure get exhausting.

6. Sometimes Lupita Nyong'o is beaming. Other times, she's just stunned.

Her brilliant smile certainly has a way of lighting up the red carpet. At the same time, I can totally understand if her expression on the right is how she feels inside during those events.

7. Perhaps Amy Adams isn't always the stunning debutante.

Or maybe she's really happier than her dramatic roles let on? Sometimes the spotlight's appeal starts to fade when you're right at the center of it.

8. Even silver fox Richard Gere shies away from the attention he receives.

(But like, c'mon, he's still having fun with this either way.)

9. Sandra Oh seems like she's either distracted or totally overwhelmed.

If you've ever been thrust in front of countless lights and cameras, you know that both emotions are a valid response. Or maybe her expression on the right is the way she looks in those awkward moments when she gets stopped on the street?

10. And there's Rami Malek, who ... is as wide-eyed and aloof as I'd expect.

No wonder he's so good on "Mr. Robot." Unless ... maybe one of his personas in this picture actually is the real Mr. Robot? Plot twist! Hey, where's Christian Slater?

11. As for Jane Lynch, she's always a bit wacky and performative.

Frankly I'd expect nothing less of her.

12. Whether he's upright or relaxing, Chadwick Boseman can't seem to shake that natural steely gaze.

He has the shy, stoic look of a performer with the proper introspection to transform into someone else entirely whenever he's on-camera. No wonder he's so good!

13. Is Felicity Jones that much more chipper than the roles she plays?

Or is she actually more reserved than she appears while smiling on-screen — like she's done ever since she was just 12 years old? Your guess is as good as mine.

14. Even Mahershala Ali has two sides of himself to show the world.

Here's another star who looks like he revels in performing himself, in whatever way that he is today. One thing's for sure: He's a lot less intimidating here than he was in "Luke Cage."

15. And last, but certainly not least, there's Anne Hathaway.

Hathaway has had to deal with all the ups and downs of being both beloved and reviled by the general public, which is perhaps why her two different personas here show such a wide range of expression — and all the struggles that come along with being a person.

Walker's work here is an eye-opening look at the many faces that people put on.

We all have different ways of presenting ourselves in different situations — to our jobs, to our friends, to our families, and to ourselves. We even act differently when we're in front of a camera, perhaps especially when we're trying to show off who we think we really are.

It only makes sense that these celebrities would be the same way since they're people too. But the question still remains: Which one shows their "true" self?

Maybe there's not just one right answer to that. Maybe we're all multifaceted, with our own unique collection of personas, just like these celebrities. And maybe that's totally OK. Because maybe that's what makes us human.

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